“Well, it’s rather brutal here. Our recommendation is all of our clients to invest all their resources into tinned provisions and hunting rifles.” This piece of shrewd guidance comes from the Brain Gremlin – a genetically modified, talking, spectacled member of the slick creature crowd that infests Manhattan’s super-smart Clamp Tower skyscraper in director Joe Dante’s unhinged continuation Gremlins 2: The New Batch. At first glance, it’s merely an portfolio pointer from one monster to another. But, in a strange manner, it’s also pretty solid life guidance. Honestly, consider my perspective.
When things go bad, the worst thing you can do is take things too seriously. The Brain Gremlin grasps this. Indeed, a large portion of the dentally-gifted beasts that inhabit Dante’s chaotic 1990 feature (possibly his finest) possess the same knowing, self-referential comic sensibility regarding the blurry line separating everyday life and absolute bedlam. It’s a particular aspect of Gremlins 2: The New Batch that keeps me coming back – and with the passage of time, it’s the theme that echoes the loudest.
Of course, my fondness for this movie did not begin on such an introspective level. As a child, we possessed merely a few battered VHS tapes at home. Among them were Gremlins and its sequel, the latter housed in a chunky ex-rental box almost certainly acquired from an off-brand video shop and featuring grimacing beasts on its knackered cover. I was instantly captivated and these films quickly proceeded inserting themselves inside my small, malleable brain. After that point, they became an almost-daily part of my early years entertainment regimen.
Dante’s original commonly garners all the plaudits, thanks mostly because of its legacy as a partly frightening holiday classic – and don’t get me wrong, I’ve watched Gremlins an incalculable number of times. However, its sequel rarely gets the same level of elevated esteem, which feels a travesty. As a kid, I’d invariably jump at the prospect to watch Gremlins 2. During bright summer vacations, I’d retreat into the house and play it. When I obtained my very own TV-VHS combo unit, it stayed in constant rotation in my bedroom. With repetition, it ingrained itself in my psyche. If my parents observed this fixation, they gave no indication of concern.
As I matured, new revelations rewarded multiple watches, amplifying the pleasure of watching small emerald creatures gleefully trash a New York high-rise. I learned the future-focused real estate tycoon and Clamp Tower owner, Daniel Clamp (John Glover), was based squarely upon the eventual commander-in-chief Donald Trump, with his auburn-haired worker Marla (Haviland Morris) echoing his second wife Marla Maples. Fortunately, Clamp has more heart than his actual-world equivalent.
The “doomsday” video Clamp plays during the height of creature carnage? I discovered it was based on a genuine “Doomsday” video produced by the CNN boss Ted Turner in case the world truly faced apocalypse. I noticed how Dante took extra pains to film alternate cuts of a meta sequence where Gremlins take over the actual feature in progress. A version for theaters, a separate one for tape and broadcast, each offering a winking bit of meta pop-culture magic before the term was even a thing.
While it was makeup maestro Rick Baker’s fantastically vile creatures that caught my eye as a child, this deeper gold held my interest as an adult. In time, I even spoke to Dante about it myself and he had no reservations revealing to me he made the movie with the specific aim of ridiculing those who loved its goofy-but-heartfelt predecessor and wanted more. “We were going to make fun of the fact you came to see it,” he gleefully confessed. This anarchic insubordination and commitment to not take his sequel as seriously as his Warner Bros bosses evidently expected, only made me love it even more.
When I went through a abrupt familial death not long ago, I was astonished to realize that, during my heightest mourning, all I felt compelled to do was sit and watch Gremlins 2: The New Batch. Strange, isn’t it? Perhaps not. The nostalgic calm it provided was essential to thin out my mind’s mourning mire – but the perspectives it had given me as an adult were just as useful.
Like Gremlins running amok in a genetics laboratory, there’s some things in life you just cannot manage. Dante is aware of it. The Brain Gremlin knows it too. Sometimes, you have to emulate them: accept the turmoil, put everything you’ve got into canned food and shotguns and try not to take things too seriously.
It’s powerful existential guidance from a most improbable origin – and it’s the reason Gremlins 2: The New Batch will forever remain my comfort movie.
Elena es una escritora apasionada por la psicología y los sueños, con experiencia en blogging y análisis de temas existenciales.